Titlebook: Methodological Imaginations; E. Stina Lyon,Joan Busfield Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 com

Chylomicron

書(shū)目名稱Methodological Imaginations影響因子(影響力)




書(shū)目名稱Methodological Imaginations影響因子(影響力)學(xué)科排名




書(shū)目名稱Methodological Imaginations網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Methodological Imaginations網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Methodological Imaginations被引頻次




書(shū)目名稱Methodological Imaginations被引頻次學(xué)科排名




書(shū)目名稱Methodological Imaginations年度引用




書(shū)目名稱Methodological Imaginations年度引用學(xué)科排名




書(shū)目名稱Methodological Imaginations讀者反饋




書(shū)目名稱Methodological Imaginations讀者反饋學(xué)科排名

effrontery

Surrealism, Mass-Observation and Researching Imagination, origins and implications of this dualism, the title usefully focused on a tension between the two words and opened up a space in which the place of imagination in research could be discussed. Moreover, it is a ‘lost space’ in which an embryonic sociology of the emotions was once located and could, if it wanted to, figure again.

Mets552

Imagining the Community: Some Reflections on the Community Study as a Method, studies which to a greater or lesser extent are issue-based (e.g. Moore, 1982), localised (Stacey .. 1975), ethnographic (Gibbon and Steyne 1986), done by individuals or teams (Warwick and Littlejohn 1992), policy-oriented (Wengler 1984; Buhner 1987; Willmott 1987) and explicitly related to the origins of the idea of community (Strathern 1981).

大量

ovation

即席演說(shuō)

enlist

,Every Picture ‘Tells a Story’: Uses of the Visual in Sociological Research,central location in research training and research practice. In doing so we will inevitably draw on, and benefit from, an increasing multidisciplinarity in research methodologies available for our use.

overbearing

Visual Imagery and the Iconography of the Social World: Some Considerations of History, Art and Profor the construction and depiction of social difference’ (1988:1). The reading of texts through images relies on the viewer’s perception to decode the stories, on the narrative configuration of forms, meanings and symbols which constitute the picture as language and discourse.

發(fā)電機(jī)

debris