Titlebook: Mesearch and the Performing Body; Mark Edward Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 embodiment and performance.cr

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易于交談

legislate

Intersect

https://doi.org/10.1007/978-3-319-69998-1embodiment and performance; creative research; dance; ageing; autobiographical enquiry; self-criticism; se

不再流行

Mark Edwardventuell Perikards kombiniert sind. Sofern aus solchen Entzündungen bleibende Herzklappenfehler entstehen, mu? die Entzündung zu anatomischen Vedinderungen der Klappen geführt haben, durch welche der ?ffnungsund Schlie?ungsmechanismus der Klappen nicht mehr richtig funktioniert. Weitaus die gro?te Z

ostensible

DEVIL

Declining Dancers,ackle wider issues of identity, underpinned by sociological scholarship in relation to a subjective turn within research. Ageing and dance in western cultural studies are only recently becoming emerging areas of scholarship. In light of this, my range is interdisciplinary, including sociological tex

NAUT

Mature Movers,extualise the discussion of the visibility of mature movers,?I discuss the complexities of sourcing practice-based evidence, as the process of performance documentation is often varied and inconsistent. Such subjective processing means that a ‘one design fits all’ approach cannot be adopted. In prov

Corporeal

Me/thodologies,rm, recognising the postmodern assortment of academic thought processes that are all intertwined with self as researcher, artists and performer.?I argue that methodologies relating to experience and subjective life events are inevitably less scientific leading to fluid outcomes. The process of creat

不能強迫我

Falling Apart at the Seams,tists. The chapter begins with a rumination on how performance making processes are not limited to a moment of choreographic conception, but rather all life experiences and creative ideas are ripe for exploration and potential inclusion. In adhering to the mesearch methodology of intertwining art an