Titlebook: Men, Masculinities and Sexualities in Dance; Transgression and it Andria Christofidou Book 2021 The Editor(s) (if applicable) and The Autho

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The Practice of Dance, Habitus, and Heightened Reflexivity,nce as conditions that cultivate heightened self-reflexivity among dancers and result in them developing an increased awareness of their bodies, the ways their bodies look and move in space. The chapter develops in conversation with scholars who have written on reflexivity, agency, structures, and h

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Behind the Curtains: Questioning Sexuality, Troubling Gender,encounters, and less controlled performances of the self. It argues that backstage regions are settings of “gender trouble” where male dancers can, and to a large degree do, disrupt the “heterosexual matrix” (Butler, ., Routledge, 1999). The latter is discussed as both an outcome of these men’s acti

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Getting in Character: Just Acting or Gender Embodied?, selves that dancers perform during backstage interactions, and the characters they are cast to perform onstage. It approaches dancers as trained actors and skilled performers; social actors who are encouraged to self-reflect on their bodies, appearance, and ways of coming across before others. Sinc

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The Grand Finale,udies, and sociological literature on gender and sexualities. It highlights the many tensions that characterize the field and practice of dance, and develops a discussion around what these may suggest about the prevailing gender order in the dance world and beyond. In doing this it points to possibl

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