Titlebook: Memory and the Wars on Terror; Australian and Briti Jessica Gildersleeve,Richard Gehrmann Book 2017 The Editor(s) (if applicable) and The A

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tolerance

False Memories and Professional Culture: The Australian Defence Force, the Government and the Mediaow the Australian Defence Force’s continued commitment to restrictive and tightly managed relations between the military and the media rested on a stubborn fidelity to false memories of the Vietnam experience and how these shaped Australian coverage of the war in Afghanistan.

Hemiplegia

,Remembering the First World War After 9/11: Pat Barker’s , and ,,er of Barker’s late novels, . (2003), its influence on representations of war, trauma, and violence in . and . has not been discussed. This chapter explores how the events of 9/11 may have altered perceptions and representations of earlier conflict—in this case, the First World War.

aspect

Death and the Maiden: Memorialisation, Scandal, and the Gendered Mediation of Australian Soldiers, institutional capacity of the Australian Defence Force to enact positive change in relation to social concerns, such as gender equality. It concludes that greater diversity in cultural representations will better support the reality of working in the ADF and the experiences of Australian soldiers in conflict and at peace.

ASSAY

,Remembering the Warriors: Cultural Memory, the Female Hero, and the ‘Logistics of Perception’ in ,,sses both perspectives, arguing that there is a close relationship between them and that the gender of the protagonist is much more than an incidental detail within the film, having profound implications for narrative’s structure and dynamics.

業(yè)余愛好者

Violent Femmes: Collective Memory After 9/11 and Women on the Front Line of Journalism,flict, and explore these experiences in relation to the myth of the hard-bitten journalist and hyper-masculinity, with consideration to the aspects that these journalists felt shaped their working lives.

心胸狹窄

Reflecting on the Wars on Terror,g war for public audiences is still influenced by national and media cultures and practices, many of the most significant discourses, such as those associated with war trauma, now have a wide global reach.

品嘗你的人

Memory and the Wars on Terror,ut the twentieth and twenty-first centuries, particularly in the context of war, trauma, and violence, this chapter makes the case for examining September 11 and the Wars on Terror from an ‘outside’ perspective in order to show how they have become part of a globalised cultural memory.

Platelet

,The Limitations of Memory and the Language of the War on Terror in Australia, 2001–2003,blic understanding of Australian involvement in conflict since 9/11. To what extent have new understandings of war developed, and to what extent do our understandings of Afghanistan and Iraq fit with a history, memory, tradition, and language of Anzac and Australian military experience?

minion