Titlebook: Memory and Intermediality in Artists’ Moving Image; Sarah Durcan Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv

Foregery

Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st

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Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st

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apt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st

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Constitution

Book 2021to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film w

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,Conclusion: ‘Inconsolable Memory’,isavowed ‘hauntings’ of memory. Thirdly, the ethico-political dimension of memory becomes evident in the documentary fiction mode, where ‘real fictions’ contend with a ‘post-truth’ era of ‘a(chǎn)lternative facts’. Finally, this study marks a paradigmatic shift from film as the dominant media of memory to new forms of mediatized memory.

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