Titlebook: Memories from the Frontline; Memoirs and Meanings Jerry Palmer Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Soldiers.WWI.

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Jerry PalmerOffers an understanding of a group of texts that have been relatively little subjected to literary analysis.Examines the forms of composition of the books – their ‘textual strategies’ – in relationshi

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Palgrave Studies in Life Writinghttp://image.papertrans.cn/m/image/630447.jpg

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Henry d’Estre, ssional cavalry officer Henry d’Estre. His relaxed attitude towards heavy losses in battle, his conventional, heroic vocabulary and calm detachment in his descriptions of combat are all typical of one strand of French writing about the war, which dominated war literature during the first two years.

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After the War and the Norton Cru Quarrelterature, which included fundamental, factually based criticisms of two of the most successful and famous war memoirs, by Barbusse and Dorgelès. Its publication provoked a literary quarrel, in the course of which fundamental French attitudes towards the memory of the war became apparent.

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War Memoirs and German Politics in the 1920she fundamentally split attitude towards the war found in inter-war Germany, stressing the unbridgeable gulf between nationalist and republican opinions and how this played out in reactions to individual texts.

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Contrasting Versions of Nationalism at War’s EndJünger, .. The purpose is to show how nationalist attitudes towards the war evolved over time, while maintaining a continuously positive attitude towards it, towards some of its outcomes and combat in general.

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Ludwig Renn, ,(,)to hide the author’s aristocratic origins, as he was a socialist, later a communist. Despite his political commitment, and his unsparing view of the war, the book was well received by the nationalist press as well as by republicans and pacifists. The analysis stresses the elements in the book that allowed this ambivalence, making it a best-seller.

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Book 2018he memoirs and the public response to them. It provides contextual analysis through a survey of the different types of contemporary writing about the Great War, through an analysis of changes in the language used to describe combat, and through an analysis of those people whose accounts of the war w

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Introduction,easons for the extensive documentation available about the war. It presents the method of analysis to be used, specifically the relationship between ‘textual strategies’ and audience reception, derived from Wolfgang Iser, and considers the war memoirs in relationship to the distinguishing features of autobiography in general.