Titlebook: Memes, Myth and Meaning in 21st Century Chinese Visual Culture; Justine Poplin Book 2024 The Editor(s) (if applicable) and The Author(s) 2

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Conclusion,n within the vast interior of the transit complex, I stopped at a merino wool shop. There in the front of the shop in a very prominent position were two GMHs made from Australian merino wool. Syncronicity and semiotic awareness informed the reading of this sign, although seeing the GMH in this conte

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Multimodal Visual Forms,The way in which we communicate through art and design originates from deep within our cultures. Csíkszentmihályi and Halton (1981, 1) believe that ‘things embody goals, make skills manifest and shape the identities of their user’. They posit that, as the creators and users of objects, our creations become a mirror of ourselves.

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Visual Culture in a Diasporic World, in Chinese Visual Culture. I incorporate information on research sampling and data collection methods and processes. In addition, the chapter includes an analysis and offers suggestions about how these symbols entered offline art and design.