Titlebook: Mediterranean Modernism; Intercultural Exchan Adam J. Goldwyn,Renée M. Silverman Book 2016 The Editor(s) (if applicable) and The Author(s)

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https://doi.org/10.1057/978-1-137-58656-8Mediterranean; Modernism; Avant-Garde; Postcolonialism; Cosmopolitanism; Iberian Peninsula; North Africa; B

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Adam J. Goldwyn,Renée M. SilvermanWinner of the 2017 SAMLA Book Award for Best Edited Volume

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,Introduction: Fernand Braudel and the Invention of a Modernist’s Mediterranean, Braudel’s writing was shaped by his wartime experience, which was marked by technological advancements, huge movements of population, the spread of varied political ideologies, the breakdown of colonial and imperial power, and new innovations in the aesthetic expression of the human experience. Bra

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Marginal Modernists: Claude McKay, Panait Istrati, and the “Minor Mediterranean”elists Claude McKay and Panait Istrati, both of whom came to the Mediterranean region from the margins of Western society (Jamaica and Romania). McKay’s . (1929), featuring a group of dockworkers from the African diaspora in Marseille, and Istrati’s two-volume . (1934–1935), set among Romanians in t

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Mediterranean Crossroads: The Spanish University Cruise, 1933laja, enrolled in a government-sponsored cruise throughout the Mediterranean with the goal of re-discovering “the roots of Western civilization.” Their vivid encounter with diverse cultures and countries arose conflicting interpretations about the significance of the Mediterranean for the developmen

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