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Titlebook: Medievalism and Orientalism; John M. Ganim Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 Britain.cultural history.E

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發(fā)表于 2025-3-21 16:18:16 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Medievalism and Orientalism
編輯John M. Ganim
視頻videohttp://file.papertrans.cn/630/629775/629775.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Medievalism and Orientalism;  John M. Ganim Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 Britain.cultural history.E
描述This unique study traces fundamental parallels between medieval European and Middle Eastern cultures. By examining sources in cultural history, literature, and architecture, this book reveals mutual influences evident in the development of the current conception of the Middle Ages.
出版日期Book 2008
關(guān)鍵詞Britain; cultural history; Europe; history; Middle Ages; Middle East
版次1
doihttps://doi.org/10.1007/978-1-137-09039-3
isbn_softcover978-0-230-60245-8
isbn_ebook978-1-137-09039-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2008
The information of publication is updating

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The Middle Ages as Display,cept of the medieval in the late nineteenth century is redefined by the rise of anthropology, an anthropology that owed a debt, if not directly to Nietzsche and Darwin, than to the popular understanding and appropriation of Nietzschean ideas, especially in regard to ideas of race and progress. I arg
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The Middle Ages as Genre,he study of medieval romance, from its earliest inception, is a peculiar political dialectic, involving fantasies of race, gender, and power. The definition of romance in England (and elsewhere) starts with an obsession with origins, as one would expect of a genre of doubtful legitimacy. Inscribed i
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The Middle Ages as Genealogy, or, the White Orient,ises about the legend of the Trojan foundation of Britain, as recounted in Geoffrey of Monmouth. With the rise of parliamentary debates, uneasiness about the aristocratic apology implicit in the linking of chivalry with Trojan origins, and with Geoffrey’s account of royal lineage also grows. The res
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Introduction,n the climactic scene of ., the liberator of Jerusalem accepts the surrender of the city from its Christian garrison:
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