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Titlebook: Medieval Drama; Christine Richardson,Jackie Johnston Textbook 1991Latest edition Macmillan Publishers Limited 1991 bibliography.drama.Medi

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樓主: mountebank
11#
發(fā)表于 2025-3-23 13:43:59 | 只看該作者
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發(fā)表于 2025-3-23 16:21:05 | 只看該作者
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發(fā)表于 2025-3-23 18:56:34 | 只看該作者
Towneley-Wakefield ‘Secunda Pastorum’e, however, there is every indication that the Towneley Cycle was fixed in one town rather than being a touring cycle. The dialect of the plays is quite clearly that of the north-east of England and headings on two of the plays in the cycle, as well as references to local Wakefield places in three o
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發(fā)表于 2025-3-24 01:01:03 | 只看該作者
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發(fā)表于 2025-3-24 05:21:34 | 只看該作者
Chester ‘Last Judgement Play’veloped, flourished and continued later than the other three surviving complete cycles. Whereas York and Towneley-Wakefield have clear documentary evidence to support a developed cycle and staging in the fifteenth century, Chester details come mainly from the sixteenth century.. From the few details
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發(fā)表于 2025-3-24 10:33:59 | 只看該作者
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發(fā)表于 2025-3-24 12:54:21 | 只看該作者
Audience and Performanceates, farces, Morality plays and classical university dramas. Clearly the interconnectedness of these dramatic forms in this period and the cross-fertilisation of ideas from one form to another are important but there is a traceable difference between popular and elite traditions, both in the conten
18#
發(fā)表于 2025-3-24 18:28:09 | 只看該作者
Signifying Practicesned rather with the universal and timeless. This would be an anachronistic view of medieval religious activity, for the Morality play was a form which could be used for ideological ends, to promote certain causes by dramatic means. In this sense it was a form ideally suited to political activity, fi
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發(fā)表于 2025-3-24 21:09:28 | 只看該作者
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發(fā)表于 2025-3-25 01:37:30 | 只看該作者
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