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Titlebook: Mediated Youth Cultures; The Internet, Belong Andy Bennett,Brady Robards Book 2014 Palgrave Macmillan, a division of Macmillan Publishers L

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發(fā)表于 2025-3-21 19:13:34 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Mediated Youth Cultures
副標題The Internet, Belong
編輯Andy Bennett,Brady Robards
視頻videohttp://file.papertrans.cn/630/629043/629043.mp4
圖書封面Titlebook: Mediated Youth Cultures; The Internet, Belong Andy Bennett,Brady Robards Book 2014 Palgrave Macmillan, a division of Macmillan Publishers L
描述This book brings together thirteen timely essays from across the globe that consider a range of ‘mediated youth cultures‘, covering topics such as the phenomenon of dance imitations on YouTube, the circulation of zines online, the resurgence of roller derby on the social web, drinking cultures, Israeli blogs, Korean pop music, and more.
出版日期Book 2014
關鍵詞Identity; Internet Research; New Media; Popular Music; Social Media; Sociology; Youth; Youth Culture; blog; d
版次1
doihttps://doi.org/10.1057/9781137287021
isbn_softcover978-1-349-44945-3
isbn_ebook978-1-137-28702-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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Youth Identities in a Digital Age: The Anchoring Role of Friends in Young People’s Approaches to Onl experience, youth begin to contemplate what role (or roles) they will assume, how they will be recognised by others, and what contributions they will make to society. In our rapidly changing, interconnected, and technological world, the number of roles open to today’s generation of youth has never
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Ending Up Online: Interrogating Mediated Youth Drinking Culturesvolving fun and being sociable (Lyons & Willot, 2008; McCreanor et al., 2005; Szmigin et al., 2008). Researchers have documented a range of factors that have contributed to this development, including the commodification of pleasure into commercialised packages, linked to a ‘night time economy’ incr
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Understanding Everyday Uses of Music Technologies in the Digital Agehe extent to which this innovation would change the face of music consumption on a global scale. Indeed, ever since the massive success of peer-to-peer applications that have all followed the path opened by Napster, much has been said and written about the nature of change brought by the digital age
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