Titlebook: Mediated Terrorism in the 21st Century; Elena Caoduro,Karen Randell,Karen A. Ritzenhoff Book 2021 The Editor(s) (if applicable) and The Au

臥虎藏龍

Malcontent

The Body as Weapon: , and the Allure of Enchanted Violence,ies, as well as the human costs of political self-sacrifice. Burgoyne sensitively argues that by placing us almost in the shoes of the main character, the film renders the martyr as a deeply human figure, situating the act in its historical and environmental context.

Frequency-Range

Spielberg and Terrorisms: , and ,minism of the source, a short story written by Philip K. Dick; . written by Tony Kushner, a playwright with a greater willingness to provoke Israeli apologists than Spielberg and H. G. Wells who gave us allegorized imperialistic conquest as alien terrorism.

杠桿支點(diǎn)

,Battling It Out with Memes: Contesting Islamic ‘Radicalism’ on Indonesian Social Media,g an Islamic counter-terror culture. Schmidt argues that the social media posts portray . (students of Islam in Indonesia) and . (Islamic scholars and interpreters) as authentic and inspirational stars, voices of reason in troubling times and antidotes to extremism.

宇宙你

overhaul

Return to Entebbe: CineTerrorism as Contested Memory,t to land. By focusing on Holocaust memory frames, the representation of the German terrorists and comparing it to earlier examples, the chapter reviews Entebbe as a specific cinematic place and significant case of CineTerrorism, a cinematic imagination of terrorist violence and its repercussions with the past and the present.

懸掛

,Tales of Chaos and Order: Exploring Terrorism’s Melodramatic Use in , (2008) and , (2012),uctions display a relatively common usage of terrorism (that is “queer” and technologically determined) in order to justify the actions of two types of masculine heroes who, in the end, are supposedly more adapted to the challenges of their/our globalized time.

paradigm

Book 2021artoons, media feeds, and drones. The authors address different time periods, different terrorist groups, and explore the way filmmakers and television producers from the USA, Europe, South Africa, and the Middle East are documenting modern wars in popular culture. .

痛苦一下

amorphous

,“God, I Miss the Cold War”: The Imagination of Terrorism on Post 9/11 American Serial Drama,ife and suggests that contemporary television, with the increasingly complex and distributed nature of its narrative structures, is a fitting medium for the representation of complex, global terrorism.