Titlebook: Media, Margins and Popular Culture; Einar Thorsen,Heather Savigny,Daniel Jackson Book 2015 The Editor(s) 2015 AIDS.care.emotion.Europe.Fam

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追蹤

ANA

Feedback

Introduction: Marginalised Voices, Representations and Practicesuded from or derided by mainstream media narratives; to bring to bear analyses of gender, ‘race’ and class and, in doing so, move ‘the margins into the centre, the outside into the inside’ (Hall, 1999: 10).

殺子女者

Artistic Tactics of the Everyday: Ideology Reframings in Gr?ini? and ?mid’s Practiceture. Working collaboratively in the medium of video in particular, the artists position memories of a communist past and its symbolism with the contradictions of post-socialist conditions, and in doing so, engage in a critique of Western hegemony and global capitalism.

神圣不可

Gentry

使堅(jiān)硬

Registers of Performance: Negotiating the Professional, Personal and Intimate in Online Persona Creads, family, fans and followers requires new ways of theorising and studying identity and self-presentation. In this chapter, I contribute to the emerging field of persona studies by conceptualising three registers of performance: the professional, personal and intimate.

escalate

‘I Hear of Sherlock Everywhere’?: The Holmes Franchise at the Centre and the Marginses. Using media studies’ marginalisation of Holmes as a case study, it then considers the forces that determine scholarly research and outputs; first those exerted externally by the publishing and higher education sectors and second those exerted internally by media studies scholars’ preferences and assumptions.

Kindle

socially marginalised, marginalised in media and media scholarship. It spans five continents, with contributions on topics like gender, sexuality, nation, disability, disciplinary boundaries, youth and age.978-1-349-56631-0978-1-137-51281-9