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Titlebook: Media and Print Culture Consumption in Nineteenth-Century Britain; The Victorian Readin Paul Raphael Rooney,Anna Gasperini Book 2016 The Ed

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發(fā)表于 2025-3-21 18:58:21 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Media and Print Culture Consumption in Nineteenth-Century Britain
副標(biāo)題The Victorian Readin
編輯Paul Raphael Rooney,Anna Gasperini
視頻videohttp://file.papertrans.cn/629/628952/628952.mp4
概述Engage with new and established sub-fields in Victorian studies and book history.Spotlights overlooked topics such as the intersection between audience consumption of print objects and cultural experi
叢書名稱New Directions in Book History
圖書封面Titlebook: Media and Print Culture Consumption in Nineteenth-Century Britain; The Victorian Readin Paul Raphael Rooney,Anna Gasperini Book 2016 The Ed
描述This book explores Victorian readers’ consumption of a wide array of reading matter. Established scholars and emerging researchers?examine nineteenth-century audience encounters with print culture material such as periodicals, books in series, cheap serials, and broadside ballads. Two key strands of enquiry run through the volume. First, these studies of historical readership during the Victorian period look to recover the motivations or desired returns that underpinned these audiences’ engagement with this reading matter. Second, contributors investigate how nineteenth-century reading and consumption of print was framed and/or shaped by contemporaneous engagement with content disseminated in other media like advertising, the stage, exhibitions, and oral culture. ?.
出版日期Book 2016
關(guān)鍵詞History of reading; Victorian studies; Popular fiction; Periodicals; Book history
版次1
doihttps://doi.org/10.1057/978-1-137-58761-9
isbn_softcover978-1-349-95459-9
isbn_ebook978-1-137-58761-9Series ISSN 2634-6117 Series E-ISSN 2634-6125
issn_series 2634-6117
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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發(fā)表于 2025-3-21 23:43:16 | 只看該作者
,Reader-Help: How to Read Samuel Smiles’s ,,owever, limit the implications of the story to Brindley. The reviewer concludes the anecdote as follows: ‘The noble quality of self-help which is so finely illustrated in Brindley’s career has long been, and still remains the distinguishing characteristic of Englishmen’.. We move seamlessly here fro
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,More than a ‘Book for Boys’? Sir Thomas Malory’s , and the Victorian Girl Reader,robably become the principal readers of the Arthur legends in a popular form’.. Cultivating knowledge of the Arthurian legend is now firmly a masculine responsibility and a form of patriarchal inheritance: ‘The story of King Arthur will never die’, writes Knowles, ‘while there are English men to stu
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,Black Victorians and ,: Mapping the Geographies of ‘Missing’ Readers,cally based black readers. It also argues that such an absence of real or implied readers can still raise important and productive questions, not only about reading communities and their experiences, but also about the broader communities among whom they lived and worked.
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Sensation and Song: Street Ballad Consumption in Nineteenth-Century England,een that the subsequent market for street ballads was somehow a nostalgic one—aware of its patronage of a dying textual form.. The validity of this view of nineteenth-century street-ballad consumption will be explored here primarily through an exploration of the nature of the street ballads themselv
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Reading Theatre Writing: T.H. Lacy and the Sensation Drama,t is the actions of Dr Harvey which function to release that tension, partly for comic affect and also to allow the audience to see the immediacy of the drama as an alternative, paradoxically authentic mode of representing Collins’s dramatic events. In staging a moment where the psychology of terror
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terarbeitung zugeschrieben. Daraus entstand die überlegung, die studentische Aktivit?t nicht auf blo?es Mit- schreiben der Vorlesung zu beschr?nken, sondern sie aktiv an der Erstellung eines (Lehr-) Buches auf der Grundlage einer Vorlesung zu beteiligen und sie damit gleich- zeitig in eine für sie n
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