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Titlebook: Media and Conflict in the Social Media Era in China; Shixin Ivy Zhang Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 media

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發(fā)表于 2025-3-21 16:23:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Media and Conflict in the Social Media Era in China
編輯Shixin Ivy Zhang
視頻videohttp://file.papertrans.cn/629/628931/628931.mp4
概述Provides up-to-date empirical evidence drawing on case studies and text-based social media analysis..Examines the Sino-Indian border crisis, the Senkaku (Diaoyu) Islands dispute, South China Sea dispu
圖書(shū)封面Titlebook: Media and Conflict in the Social Media Era in China;  Shixin Ivy Zhang Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 media
描述.This book explores the media and conflict relationship in the age of social media through the lens of China. Inspired by the concepts of medialization of conflict and actor-network theory, this book centers on four main actors in wars and conflicts: social media platform, mainstream news organizations, online users and social media content. These four human and non-human actors associate, interact and negotiate with each other in the social media network.??The central argument is that social media is playing an enabling role in contemporary wars and conflicts. Both professional media outlets and web users employ the functionalities of social media platforms to set, counter-set or expand the online public agenda.??Social media platform embodies a web of technological and human complexities with different actors, factors, interests, and power relations. These four actors and the macro social-political context are influential in the medialization of conflictin the social media era..‘’Empirically rich and theoretically innovative, this book advances our understanding of the constantly changing dynamic between international conflict and its?medialization. With its compelling case studi
出版日期Book 2020
關(guān)鍵詞media and conflict studies in the social media age; China and Weibo; social media and Sino-Indian bord
版次1
doihttps://doi.org/10.1007/978-981-15-7635-5
isbn_softcover978-981-15-7637-9
isbn_ebook978-981-15-7635-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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978-981-15-7637-9The Editor(s) (if applicable) and The Author(s) 2020
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,China’s Social Media Platforms: Weibo,owth of social media industry and political constraints. It examines Weibo’s origin, transformation, technical features and usability, users’ comment culture, censorship practice as well as its political and social impacts. It argues that all these features of Weibo are essential in the way differen
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發(fā)表于 2025-3-22 17:11:51 | 只看該作者
Sino-Indian Border Crisis in 2017, The professional media’s use of foreign policy and conflict frames as well as the use of multimedia format are most important at time of crisis to attract the attention of and engage with the web users. Online users generated new frames such as criticizing China’s domestic policy and societal issue
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發(fā)表于 2025-3-23 00:41:47 | 只看該作者
,Diaoyu/Senkaku Islands Dispute in 2017–2018, frequent ups and downs. Posts about Japan’s actions and comments that are unfavourable to China tend to draw online users’ shares and comments, whereas the posts that include anti-Japan or pro-China stance are likely to attract ‘likes’ from users. The majority of users support and conform to offici
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North Korea Nuclear Crisis in 2018,mportance to the role of US and the US-North Korea relations. While the .’ media discourses are official and rigid citing political elites or giving commentaries, online users’ discourses are short, personal, straightforward, critical, sarcastic and abusive. As for contextual factors, security/milit
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