Titlebook: Media Transatlantic: Developments in Media and Communication Studies between North American and Germ; Norm Friesen Book 2016 Springer Inte

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Innis in the ,: Media and Musical Culture in Nineteenth-Century Amsterdaming of secular instrumental music. This edifying mission was complemented by the construction of the Concertgebouw in 1888, the first purpose-built concert hall in Amsterdam. The balance between these two media forms (print and architecture), enabled the classical music tradition to take hold in Amsterdam and endure across both time and space.

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Book 2016 and German‐speaking Europe, and brings together and contextualizes contributions from a range of leading scholars. In addition to introducing English‐language readers to some of the most prominent contemporary German media theorists and philosophers, including Claus Pias, Sybille Kr?mer and Rainer

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media philosophers from German-speaking Europe.Represents a This book reflects recent scholarly and theoretical developments in media studies, or Medienwissenschaft. It focuses on linkages between North America and German‐speaking Europe, and brings together and contextualizes contributions from a r

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What’s German About German Media Theory? studies, media theory, and media philosophy. After showing that German media studies have a decentralized, variable, and non-self-identical layout that derives from its history during the twentieth century, I will try to draw some consequences for the future of media studies, its research topics an

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Disciplining Media Studies: An Expanding Field and Its (Self-)Definitionf this handbook is to provide an overview of the vibrant and heterogeneous field of kulturwissenschaftliche Medienwissenschaft—media studies as oriented toward humanities and cultural studies interests and approaches rather than those of communication studies and the social sciences, subsequently re

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Anonymous Historiography: A Metaphorology of the Constellation in Benjamin, Giedion and McLuhan First appearing in his habilitation study for the University of Frankfurt, the term refers to a “.” in the flow of thought and thus of the dynamics of historical consciousness and recollection, resulting in an “image of dialectics at a standstill.” Benjamin developed this notion further while worki