Titlebook: Media Computing; Computational Media Chitra Dorai,Svetha Venkatesh Book 2002 Springer Science+Business Media New York 2002 MPEG.MPEG-7.Map

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Scene Determination Using Auditive Segmentation Models of Edited Video,ck of videos for extraction of higher-level video structure. We define a scene in a video as a temporal interval which is semantically coherent. The semantic coherence of a scene is often constructed during cinematic editing of a video. An example is the use of music for concatenation of several sho

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1571-5205 me to time those boundaries get shifted or blurred to evolve new fields. For instance, the original goal of computer vision was to understand a single image of a scene, by identifying objects, their structure, and spatial arrangements. This has been referred to as image understanding. Recently, comp

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Book 2002 those boundaries get shifted or blurred to evolve new fields. For instance, the original goal of computer vision was to understand a single image of a scene, by identifying objects, their structure, and spatial arrangements. This has been referred to as image understanding. Recently, computer visio

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Determining Affective Events Through Film Audio,ents are examined, each associated with a specific affect or symbolic meaning, that occur predominantly, although not solely, in films of the horror genre. The occurrences of the sound energy patterns of interest are investigated in six full length film audio tracks and experimental results are presented.

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The Future of Media Computing,edia material for the purpose of discourse in encyclopaedic spaces. The examples throughout this chapter are taken from two domains: Media production with an emphasis on news and film production, and encyclopaedic spaces as provided by domains such as theory, history, and anthropology of film.

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Essentials of Applied Media Aesthetics,cation of significant experiences are made explicit. Ultimately, applied media aesthetics attempts to give some answers to why we compose or light a particular shot in a particular way, or how we match pictures and sound most effectively.