Titlebook: Media Borders, Multimodality and Intermediality; Lars Ellestr?m (Professor of Comparative Literatur Book 2010 Palgrave Macmillan, a divisi

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Valerie Robillard recent merging of different forms of IT and how this has left organisations sus. ceptible to OSINT-supported cyber attacks. It then goes on to dissect these new threats, outlining organisational strategies for risk mitigation, before discussing emerging challenges.

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The Modalities of Media: A Model for Understanding Intermedial Relationsion has somewhat shifted to the intermedial relations between various arts and media. One important move has been to acknowledge fully the materiality of the arts: like other media, they are dependent on mediating substances. For this reason, there is a point in not isolating the arts as something e

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Border Talks: The Problematic Status of Media Borders in the Current Debate about Intermedialityctives. A large number of critical approaches make use of the concept, each with their own premises, methodology, terminology and delimitations. Likewise, the specific objectives pursued by different disciplines in conducting intermedial research (for example, media studies, literary, theatre and fi

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Intermedial Topography and Metaphorical Interaction of interartial and intermedial studies as a kind of topographical description, a charting of territories and their positions in relation to each other. This conception is often a helpful way of imagining the arts and media, and one which is deeply connected to the way they have been functioning for

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‘Media’ before ‘Media’ were Invented: The Medieval Ballad and the Romanesque Churchrface between a sacred and a secular space, a meeting that took place in the very Romanesque church building (cf. Ellestr?m, this volume). Understanding this mode is necessary in order to grasp how a seemingly secular art form such as the medieval ballad could be created and performed in the church,

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