Titlebook: Media Art and the Urban Environment; Engendering Public E Francis T. Marchese Book 2015 Springer International Publishing Switzerland 2015

antecedence

Forehead-Lift

The Art of Urban Engagement, to consider and experience their local communities in alternate ways that may lead to new approaches by citizens for sustaining and enhancing their living conditions. This chapter reviews a breadth of digital-based work including graffiti, cartography, and security.

aptitude

apiary

Digitized Street Art,, is ultimately dependent on digital technologies to document, disseminate, and reproduce these inherently ephemeral artworks. Whether altered or destroyed by another artist or tagger, “buffed out” by overzealous municipal authorities, or simply decayed by the elements, street art is fundamentally e

CRAMP

左右連貫

1876-0899 mmunity art projects and public digital media installations; presents perspectives from a diverse range of practicing artists, architects, urban planners and critical theorists.978-3-319-35696-9978-3-319-15153-3Series ISSN 1876-0899 Series E-ISSN 1876-0880

Neonatal

無能的人

殘忍

Grisha Coleman,Daragh Byrnejects, it would be my interest in exploring how marginalized, disenfranchised, and oppressed individuals overcome adversity in the Canadian context. In pursuing this interest, however, I have also stumbled upon a rather intriguing methodological discovery: how I absorbed and responded to each narrat

舔食

Lynn Cazabonterested in how the back-to-the-land community transformed the political, cultural, and economic landscapes of the region. In the 1970s, logging was the primary industry and the area suffered high unemployment due to the precariousness of mill closures. By the end of the 1980s, tourism became one of