Titlebook: Media Art and the Urban Environment; Engendering Public E Francis T. Marchese Book 2015 Springer International Publishing Switzerland 2015

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Jillian McDonalduman rights violations committed during the last 34 years of apartheid rule. While the TRC is rarely viewed as an oral history project, I argue that these testimonies, or public interviews, “count” as oral history; seeing them through this lens enables a richer understanding of the TRC and oral hist

Cerumen

Pedro Marra,Carmen Aroztegui Masserale—but still fewer, there is reason to believe, of whom less has been known, even by the majority of those persons who have adopted her compositions.” His reference is to Anne Steele (she never married, despite Holland’s use of “Mrs.”), whose poetry, he adds, “veiled under an assumed name [Theodosia

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Alice Arnold of nonconformist (primarily Baptist) women writers originated in the West Country of England in the early 1700s and eventually stretched to Bristol, Southampton, London, and Leicester. The first generation was led by the diarist Anne Cator Steele (1689–1760), wife of William Steele III (1685– 1769)

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Annette Weintraubtrition.. That book also considered how these meanings map onto collective apologies, which added many layers of complexity to the discussion. Research for my forthcoming book on the role of apologies in legal contexts introduced additional complications. In both individual and collective harms, a p

justify

Ulrik Ekmaned to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual

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Francis T. Marcheseed to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual

ethereal

Vaughn Whitney Garlanded to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual