Titlebook: Meaning-Making in the Contemporary Congregational Song Genre; Daniel Thornton Book 2021 The Editor(s) (if applicable) and The Author(s), u

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Contemporary Congregational Songs Genre Formation and Scrutiny, genre. An overview of the history of CCS follows, alongside a selective review of its associated scholarship. This leads to a discussion and justification of the chosen methodology, music semiology, for this monograph, and its interdisciplinary partners, including popular music studies, vernacular

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Contemporary Congregational Songs,is given to addressing the particularly problematic term, ‘Praise and Worship’. The chapter then proceeds to qualify each of the three words (contemporary, congregational, and songs) in the chosen term for the genre, arguing that while it has limitations, it is still currently the most helpful term

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So the Songwriters Say (Poietic Analysis Pt 2),ose interviews provide much of the content for this chapter and the next. It establishes the diversity among the interviewees by age, background, denominational association, and country while justifying their place in the CCS canon. The USA, the UK, and Australia are the only countries represented i

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How Christians Feel About the Songs They Sing: Individually (Esthesic Analysis Pt 1),etation of CCS by their audience/co-performers. The data utilised in this section comes from an online survey conducted by the researcher among 214 Australian Christians. The chapter begins by describing the survey method and parameters around the collection of vocal recordings and written responses

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Just Another Pop Song? The Lyrics (Trace Analysis Pt 2),ig picture analysis such as average word count and the four categories for CCS: Praise/Thanksgiving, Prophetic/Declarative, Worship, and Petition/Prayer. It explores the theological content of CCS, key themes, the way songs address God, and the choice of individual or communal perspective for the si

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