| 書(shū)目名稱 | Maxwell Anderson and the Marriage Crisis |
| 副標(biāo)題 | Challenging Traditio |
| 編輯 | Fonzie D. Geary II |
| 視頻video | http://file.papertrans.cn/628/627925/627925.mp4 |
| 概述 | Reassesses Maxwell Anderson’s place within American theatre history.Provides a breadth of knowledge and detail about Jazz Age drama.Strengthens understanding of the interaction between American cultur |
| 圖書(shū)封面 |  |
| 描述 | .This book focuses on the re-evaluation of four Maxwell Anderson plays within the context of the emergence of the New Woman and the perception of a marriage crisis in the United States during the 1920s. The four plays under consideration are?.White Desert.?(1923),?.Sea-Wife.?(1924),?.Saturday’s Children.?(1927), and?.Gypsy.?(1929). These plays are largely forgotten and, even when the titles appear in Anderson scholarship, coverage has tended to be cursory and dismissive. This work represents a fresh approach and re-assessment of an American playwright who bore a significant impact on the drama of his time, serving not only to place Anderson’s work more effectively within the context of American theatre during the 1920s, but also to bridge the gap between his work and the marriage-related plays of the late twentieth?and early twenty-first?centuries. . |
| 出版日期 | Book 2022 |
| 關(guān)鍵詞 | Maxwell Anderson; 1920s American Drama; New Woman; Jazz Age; White Desert; Sea-Wife; Saturday’s Children; G |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-031-13241-4 |
| isbn_softcover | 978-3-031-13243-8 |
| isbn_ebook | 978-3-031-13241-4 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機(jī)版|小黑屋|
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