Titlebook: Matsuo Bash?’s Poetic Spaces; Exploring Haikai Int Eleanor Kerkham Book 2006 Eleanor Kerkham 2006 Japanese.Japanisch.poet.Zhuangzi

星星

mitten

Zōka: The Creative in Bashō’s View of Nature and Artranslated the key term ., a rather uncommon word derived from Chinese sources. The conventional translation of this term is “nature,” found in the standard translation of his journals by Nobuyuki Yuasa, as well as in renderings by Makoto Ueda, Eiichi Hayashi, and Eleanor Kerkham.. Thus, the final li

phlegm

Reinventing the Landscape: The , and the Geographical Imagination of Bashōemphasis on geographical imagination in haikai prose (.) all demonstrate the importance of landscape in haikai composition. This chapter explores how the renowned haikai master Matsuo Bashō (1644–1694) uses the Daoist classic . to reinvent the poetic significance of landscape in his travel journals.

陶器

廢止

Oversee

Loosening the Links: Considering Intention in Linked Verse and its Consequences association between loneliness and misery. They also manifest the value of loneliness in Japanese aesthetics: Sōgi hopes to find tranquility in solitude, but in an unfamiliar place “even loneliness is miserable.” Bashō, for his part, is miserable but hopes to find serenity in the lonely but aesthet

glamor

Exploring Bashō’s World of Poetic Expression: Soundscape Haikuusing on the various Bashō-related primary sources, and research that looks into the state of the . (. community) of Bashō’s day in order to ascertain his position in it. This is what is known as research exterior to Bashō’s literary works, or sociocultural research. The exterior approach is flouris

Injunction

And Us Too Enclosed in Mori Atsushi’s ,Once Again, Into .).. The monograph can be seen as part of the 300th year memorial celebration of . described in the introduction to this volume. As Mori suggests in his opening chapter, his study represents a personal reaction to the public expectation that he, the “guest traveler” and “commentator