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Titlebook: Mathematics and Computation in Music; 6th International Co Octavio A. Agustín-Aquino,Emilio Lluis-Puebla,Mari Conference proceedings 2017 S

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41#
發(fā)表于 2025-3-28 16:15:41 | 只看該作者
42#
發(fā)表于 2025-3-28 19:14:00 | 只看該作者
On the Group of Transformations of Classical Types of Seventh Chordsnished, major, diminished) considered as tetrachords with a marked root and proving that it is isomorphic to the abstract group .. This group includes as subgroups the . group and several other groups already appeared in the literature.
43#
發(fā)表于 2025-3-29 00:22:07 | 只看該作者
44#
發(fā)表于 2025-3-29 05:10:52 | 只看該作者
Homometry in the Dihedral Groups: Lifting Sets from , to , definitions of homometry, as compared to the well-known case of homometry in the commutative group .. We give here a musical interpretation of homometry in . using the well-known neo-Riemannian groups, some results on a complete enumeration of homometric sets for small values of ., and some properti
45#
發(fā)表于 2025-3-29 10:57:23 | 只看該作者
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發(fā)表于 2025-3-29 12:38:12 | 只看該作者
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發(fā)表于 2025-3-29 17:11:26 | 只看該作者
48#
發(fā)表于 2025-3-29 23:33:47 | 只看該作者
Developing Software for Dancing Tango in ,ic on the fly. While musicians have an advantage, many beginners prove unequal to the task, and are often driven to abandon. . is a piece of smartphone software intended to help dancers feel and integrate in their movements the ‘Compás’, the rhythmic pulse of the dance. Its development blended theor
49#
發(fā)表于 2025-3-30 00:42:17 | 只看該作者
Using Inharmonic Strings in Musical Instrumentsm/inharmonic strings. Given a precise description of the string, its spectrum can be calculated using standard techniques. Dissonance curves are used to motivate specific choices of spectrum. A particular inharmonic string consisting of three segments (two equal unwound segments surrounding a thicke
50#
發(fā)表于 2025-3-30 05:32:03 | 只看該作者
Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The Comprovisadorf musicians who sight-read an animated score. The system uses multiple computers – one host and several clients – to perform algorithmic compositional procedures with the musical material improvised by the soloist and to coordinate the response of the ensemble. The present paper focuses on main aspe
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