Titlebook: Maternal Modernism; Narrating New Mother Elizabeth Podnieks Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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,“Freedom and Childbearing”: Prams, Politics, and Literary Life in New Woman Autobiographies of the in whose life they have played their part.” Brittain returned to the subject in her 1959 article “Autobiography as History,” reiterating that autobiographies produced in the last few decades “may be revolutionary enough to change the thinking of an epoch.”

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Book 2022triarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. T

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The New Woman, New Modernisms, and New Motherhoods,hat “l(fā)iterature with woman as its subject has for some decades been filled with the great conflict of modern woman’s life: the conflict between vocation and parents, between vocation and husband, between vocation and child”. Historian Ann Taylor Allen similarly suggests that a particularly weighty “

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,Mothers in New Woman Fiction: Mapping “the , of Herself”,hat New Woman narratives instigated “ideological challenges […] to the bourgeois social and literary tradition.” As her book illuminates, against a backdrop of Victorian convention, many of these stories reject the endorsement of and narrative culmination in marriage; resist the binary of ‘pure’ and

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,“The ‘Momentousness’ of Motherhood”: Maternal Discourses and Debates in , and , in the ‘momentousness’ of motherhood, we have no belief in its sacro-sanctity”; “Entered upon seriously, and under prepared conditions, motherhood for the woman should be a joy and a great adventure. If it is otherwise, a woman has no business to undertake it.” So Dora Marsden proclaims in her edit

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,“A Mother, a Wife, a Worker and a Wonder-Woman”: Matroethnography, Black Feminism, and Postcolonial, which Emecheta tells us was “. Socialist paper and well respected in English sociological discipline” (. 67). The autobiographical novel depicts the experiences of protagonist Adah (Emecheta’s persona), an immigrant coping as a single mother of five children in London during the late 1960s. As des