Titlebook: Material Culture and Sedition, 1688-1760; Treacherous Objects, Murray Pittock Book 2013 Palgrave Macmillan, a division of Macmillan Publish

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創(chuàng)作

憎惡

Propaganda: Medals, Weapons, Glass, Ceramics and Relics,d the reach of prosecution, it would be inappropriate not to pay some attention to the more explicit messages and iconography of Jacobite objects in these more overt categories. Of these, medals (including touch-pieces) were the most widespread.

asthma

Treacherous Objects: Towards a Theory of Jacobite Material Culture,enth-century historiography following the 1970 publication of the 1715–54 . volume, and the role played by Eveline Cruickshanks in analysing the sympathies of Tory grandees and parliamentarians, later summarised in her . (1979) and placed in a wider context by Jonathan Clark’s . (1985; 2nd edn, 2000

entitle

,Décor, Decoration and Design,lture. This may be partly because some of the maximalist cases for Jacobitism have been made through decoding houses and gardens, as, for example, in Richard Hewlings’s long essay on Chiswick in the 1995 . collection edited by Toby Barnard and Jane Clark. Some of the arguments from garden and domest

不自然

Lignans

Associations and Antiquarians,adopted in the face of the unstable elision of treason, sedition and penal legislation in the British Isles, the effectiveness of such communication was key. The public world of print was — as we have seen — risky, even for allegorical and oblique statement. It was therefore underpopulated, as indee

confide

Propaganda: Medals, Weapons, Glass, Ceramics and Relics, or after the last Rising; hidden objects not for use in communication; relics; objects and décor produced for use in core Jacobite areas and weapons. Although this book is primarily concerned with the use of objects, décor, cant and code to communicate the currency of outlawed memory beyond text an

novelty

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