Titlebook: Mastery and Slavery in Victorian Writing; Jonathan Taylor Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 Am

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978-1-349-43189-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2003

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Heroes, Hero-Worshippers and Jews: Music Masters, Slaves and Servants in Thomas Carlyle, Richard War to man’ (O, 398, 397). The musician is at once on a level with ‘the gods’ . the benefactor or servant of ‘man’. For Carlyle, there is no real contradiction here: the master-musician is ‘a(chǎn) friend of the gods’ precisely . he benefits and serves ‘man’. In . (1843), Carlyle clarifies this paradox when he suggests that

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Stump Orators, Phantasm Captains and Mutual Recognition: Popular Masters and Masterlessness in DickFor Hegel,‘mutual recognition’ represents an absolute end to the relation of master and slave. In the . (1807), he posits this ideal state of equality and reciprocity as the end-point of the‘Master–Slave Dialectic’.

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