Titlebook: Mashup Cultures; Stefan Sonvilla-Weiss Book 2010Latest edition Springer-Verlag Vienna 2010 collective memory.content.creative commons.crea

Debilitate

書目名稱Mashup Cultures影響因子(影響力)




書目名稱Mashup Cultures影響因子(影響力)學科排名




書目名稱Mashup Cultures網(wǎng)絡公開度




書目名稱Mashup Cultures網(wǎng)絡公開度學科排名




書目名稱Mashup Cultures被引頻次




書目名稱Mashup Cultures被引頻次學科排名




書目名稱Mashup Cultures年度引用




書目名稱Mashup Cultures年度引用學科排名




書目名稱Mashup Cultures讀者反饋




書目名稱Mashup Cultures讀者反饋學科排名

glamor

,Communication Techniques, Practices and Strategies of Generation “Web n+1”, acknowledged and accredited as a socio-cultural embodied common good, it does not only constitute a society at large, but also greatly spurs prosperity and the material, spiritual and intellectual growth of state, nations and humanity.

極小

antidote

Meander

國家明智

Distributed Creativity: Filesharing and Produsage,ime coming and has had many precedents, from the collage art of the Dadaists in the 1920’s to the music mixtapes of the 70’s and 80’s, and finally to the explosion of mashup-style practices that was enabled by modern computing technologies.

過剩

,“You met me at a very strange time in my life.” , and the Moving Image on the Verge of ‘Going Digit both sides of the film become visible on screen — creating “the illusion of the celluloid itself jumping off track as it move through the projector”. (cf. .). Then Tyler turns away and leaves, as the movie’s narrative cuts to another scene. Was this the end of the reel (real) world?

Munificent

Change of Media, Change of Scholarship, Change of University: Transition from the Graphosphere to aective, referring to Régis Debray’s mediological approach. Mediology provides a methodical basis with which to research the correlations of technology, culture and society. Not the media themselves but the processes of mediation and transmission are the focus of attention.

釋放

COUCH

Mobilizing the Imagination in Everyday Play: The Case of Japanese Media Mixes,ia content. Although concerns about representation are persistent, particularly of video game violence, many of the current hopes and fears of new media relate to new forms of social networking and participation. As young people’s online activity changes the scope of their social agency and styles o