書目名稱 | Masculinity, Class and Music Education | 副標(biāo)題 | Boys Performing Midd | 編輯 | Clare Hall | 視頻video | http://file.papertrans.cn/626/625185/625185.mp4 | 概述 | Challenges prevalent understandings in feminist and queer musicology of singing as a ‘feminised’ or ‘unmasculine’ practice.Explores gender, class and education issues from the uncommon perspective of | 叢書名稱 | Palgrave Studies in Gender and Education | 圖書封面 |  | 描述 | This book offers a provocative sociological examination of masculinity, class and music education within the context of a unique and fascinating culture: the classical musical world of choirboys. The myriad cultural meanings embodied in the ‘boy voice’ are unravelled through compelling musical narratives of young choirboys, their mothers, and their teachers. The book investigates how boys negotiate dominant gender-class discourses and the various pedagogies involved in producing middle-class masculinities during primary school and early years contexts. Drawing on the theoretical resources of Bourdieu to develop the concept of ‘musical habitus’, the continued symbolic distinction of the choirboy is analysed in order to better understand how culture is simultaneously reproduced and evolving through music. This interdisciplinary work at the juncture of pedagogy and culture will appeal to social science researchers, educators and arts practitioners interested in the sociocultural dynamicsof music. | 出版日期 | Book 2018 | 關(guān)鍵詞 | choir; chorister; male; masculinity; gender; masculinity in music; middle class masculinity; gender and edu | 版次 | 1 | doi | https://doi.org/10.1057/978-1-137-50255-1 | isbn_ebook | 978-1-137-50255-1Series ISSN 2524-6445 Series E-ISSN 2524-6453 | issn_series | 2524-6445 | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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