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Titlebook: Masculinity and Monstrosity in Contemporary Hollywood Films; Kirk Combe,Brenda Boyle Book 2013 Palgrave Macmillan, a division of Nature Am

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發(fā)表于 2025-3-23 13:09:03 | 只看該作者
Kirk Combe,Brenda Boyleues for integrated circuit chips is one of the important contemporary applications of Microscale Heat Transfer which has received much attention for cooling of high power electronics and applications in biomechanical and aerospace industries. Microelectromechanical systems are subject of increasing
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發(fā)表于 2025-3-23 17:26:05 | 只看該作者
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發(fā)表于 2025-3-23 18:42:39 | 只看該作者
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發(fā)表于 2025-3-23 23:07:47 | 只看該作者
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發(fā)表于 2025-3-24 02:54:50 | 只看該作者
The New Millennium Manliness,icult or impossible to achieve. The actual practitioners of hegemonic masculinity, however, are people possessing institutional position or considerable wealth. Explains Connell of those exercising its power:
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發(fā)表于 2025-3-24 09:04:35 | 只看該作者
,Hooah! We … Are … Sparta!,lion in theaters abroad (.), especially in Greece (Bresnan). That this film has been resoundingly successful across the world but especially with American audiences reveals American attitudes to the ancient world, to warfare, to masculinity, and how those attitudes impact conceptions of monstrosity.
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發(fā)表于 2025-3-24 13:25:18 | 只看該作者
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發(fā)表于 2025-3-24 15:25:29 | 只看該作者
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發(fā)表于 2025-3-24 20:10:18 | 只看該作者
Book 2013In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous body as a metaphor for the cultural body and regard gendered behavior as a matter of performativity. Taken together, these two identity positions, manliness and monsterliness, offer a window into the workings of current American society.
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發(fā)表于 2025-3-25 02:25:12 | 只看該作者
https://doi.org/10.1057/9781137359827America; body; corpus; film; Hollywood; identity; love; metaphor; society; violence
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