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Titlebook: Masculinity and Irish Popular Culture; Tiger‘s Tales Conn Holohan,Tony Tracy Book 2014 Palgrave Macmillan, a division of Macmillan Publishe

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發(fā)表于 2025-3-25 04:17:58 | 只看該作者
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發(fā)表于 2025-3-25 07:33:22 | 只看該作者
Clubs, Closets and Catwalks: GAA Stars and the Politics of Contemporary Irish Masculinitymedia than would usually be accorded to a sports memoir. There were several salient reasons for this. Since 1999 Cusack had been goalkeeper with the Cork hurling team, one of the few teams considered capable of challenging the dominance of Kilkenny in the national championship; they had won the All-
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發(fā)表于 2025-3-25 12:16:36 | 只看該作者
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發(fā)表于 2025-3-25 21:41:16 | 只看該作者
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發(fā)表于 2025-3-26 02:43:43 | 只看該作者
‘Irish Lads’ and English Rock: Musical Masculinities in the 1990so (Declan McManus), Kevin Rowland, Boy George (George O’Dowd), Shane MacGowan, Morrissey, Johnny Marr, and Noel and Liam Gallagher (of Oasis). Many of these musicians have been at the forefront of Britain’s most significant popular-musical epochs, thus John Lydon and punk in the 1970s, The Smiths an
27#
發(fā)表于 2025-3-26 07:21:17 | 只看該作者
‘Oh Me, Oh My’: Masculinity, Popular Music and Reviving Joe Dolansion examines diverse cultural performances up to his unexpected death in 2007 and the contexts in which his success continued postmortem. Following a discussion of Joe’s early career, I consider Dolan’s late album releases, which coincided with the emergence of the Celtic Tiger. The intersection be
28#
發(fā)表于 2025-3-26 12:16:24 | 只看該作者
A Postmodern Crisis of Irish Masculinity — Patrick McCabe’s , (2006)inted scraps of memory. In ., Freud’s concept of the return of the repressed and the indestructible nature of the unconscious. is reflected through a fractured, hallucinogenic narrative of uncanny despair, where McCabe lays bare the impact that institutional sexual abuse, in tandem with rapid social
29#
發(fā)表于 2025-3-26 13:55:36 | 只看該作者
30#
發(fā)表于 2025-3-26 19:32:31 | 只看該作者
Sons of the Tiger: Performing Neoliberalism, Post-Feminism, and Masculinity in ‘Crisis’ in Contempors, and of married men cocooned in a bubble of wealth and masculine privilege.. The male protagonists, Art and Ben, long-time friends and executive colleagues, embody the Celtic Tiger dream of high-flying careers with corporate-bonus-culture salaries. Yet, both men have reached an existential impasse
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