Titlebook: Masculinity and Film Performance; Male Angst in Contem Donna Peberdy Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limit

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郊外

lethal

Introduction: Being a Manent room. ‘I swear it’s not a world of men’, Ricky Roma (Al Pacino) states matter-of-factly, ‘It’s a world of clock watchers, bureaucrats, office holders.… We’re the members of a dying breed. That’s why we gotta stick together.’ Shelley ‘The Machine’ Levene (Jack Lemmon) nods but is less confident t

類似思想

Performance and Masculinityucation, spanning both theory and practice. Marvin Carlson has called attention to the ‘essential contestedness’ of performance, arguing that different appropriations of the term are so disparate that ‘a(chǎn) complete survey of them is hardly possible’.. It is not my intention in this chapter to attempt

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Performing Angstd male angst. While the second part of the book will specifically examine a number of discursive moments affecting definitions of male identity that took place in the 1990s and 2000s, this chapter will examine, more explicitly, the role of the performer in the construction of such discursive moments

清楚

植物學(xué)

Performing Paternity: Clinton, Nostalgia and the Racial Politics of Fatherhoodd fatherhood during the 1990s and early 2000s. The journal special issue acknowledged that American society increasingly encompasses a variety of family units including single-parent households, adoptive households, stay-at-home dads, and step-parenting. Yet the overwhelming message of the journal i

Intrepid

Aging Men: Viagra, Retiring Boomers and Jack Nicholsond around a naked blonde woman, who clung to his neck in an intimate embrace, the man held a small blue pill close to his pursed lips. His eyes peered anxiously in the direction of the woman to see if she had noticed his guilty secret. His angst realised in the mediated treatment of male impotence, t

真

Conclusion: Returns, Renewals, Departures frown, a concave expression, sad eyes, trembling hands, or a contorted face: a gesture, a series of movements, a sequence of sounds. Second, angst is evident as the breakdown of ‘male’ social roles: the failure to be a ‘traditional’ father and the necessary revision of the father image; the acknowl