Titlebook: Masculinities and Manhood in Contemporary Irish Drama; Acting the Man Cormac O‘Brien Book 2021 The Editor(s) (if applicable) and The Author

Maculate

書目名稱Masculinities and Manhood in Contemporary Irish Drama影響因子(影響力)




書目名稱Masculinities and Manhood in Contemporary Irish Drama影響因子(影響力)學(xué)科排名




書目名稱Masculinities and Manhood in Contemporary Irish Drama網(wǎng)絡(luò)公開度




書目名稱Masculinities and Manhood in Contemporary Irish Drama網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Masculinities and Manhood in Contemporary Irish Drama被引頻次




書目名稱Masculinities and Manhood in Contemporary Irish Drama被引頻次學(xué)科排名




書目名稱Masculinities and Manhood in Contemporary Irish Drama年度引用




書目名稱Masculinities and Manhood in Contemporary Irish Drama年度引用學(xué)科排名




書目名稱Masculinities and Manhood in Contemporary Irish Drama讀者反饋




書目名稱Masculinities and Manhood in Contemporary Irish Drama讀者反饋學(xué)科排名

Tremor

Adulate

PAC

Men of the North,yed out a zone of conflict, the theoretical nodes of masculine analysis that this book has discussed in previous chapters must be cast in different hues. What this chapter interrogates, then, are the ways in which dramas about the Northern Irish conflict and the Peace Process have engendered perform

貴族

Masculinity Without Men,to trace the influences and affects of the many aspects of masculinity, in particular hetero-patriarchy, on female protagonists’ lives. In some plays this presence-through-absence of masculinity is attributable to individual yet absent men, in other cases it is transposed onto women who subscribe, o

SUE

Acting Queer,assimilation into heteronormative paradigms, both in theatrical form and how queer men’s lives and living are represented. Queer theatre companies and performers are employing new, exciting, and decidedly transgressive dramaturgical strategies—which are identified as ‘queer dramaturgy’—in order to c

宿醉

CHOKE

glowing

Blood-Vessels