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Titlebook: Masculine Style; The American West an Daniel Worden Book 2011 Daniel Worden 2011 America.Amerikanische Literatur.gender.Modernism.novel

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樓主: cobble
11#
發(fā)表于 2025-3-23 09:59:46 | 只看該作者
Introduction,asculinity, in the sense of having a penis, a gun, or a rugged leather jacket. Instead, one acts masculine, and this acting involves negotiation of a complex set of signs. The often-voiced commands to walk, talk, act, and take it “l(fā)ike a man” make clear that masculinity does not reside in a male bod
12#
發(fā)表于 2025-3-23 17:14:42 | 只看該作者
Masculinity for the Million: Gender in Dime-Novel Westerns,, which he describes as “the eggs from which all kinds of villainy are hatched.”. Comstock faults dime novels not for being particularly bloody or for depicting acts of rampant murder and violence but instead for flagrantly disregarding the genteel codes that locate wealth and beauty in stable bodie
13#
發(fā)表于 2025-3-23 19:17:22 | 只看該作者
,Between Anarchy and Hierarchy: Nat Love’s and Theodore Roosevelt’s Manly Feelings,ssories: saddle, lasso, bandana, hat, chaps, revolver, and rifle (figure 2.1). Love claims to be the real-life model for “Deadwood Dick,” and while this claim is unsubstantiated, it does give a new meaning to the dime-novel hero’s black leather costume since Love, himself, was an African American bo
14#
發(fā)表于 2025-3-24 00:07:51 | 只看該作者
,Marrying Men: Intimacy in Owen Wister’s ,,the late nineteenth century, Western literature enjoyed marketplace success in both popular and literary forms. However, Wister’s novel stands out not simply because of its immense popularity as fiction and a successful stage play, spawning multiple film adaptations in the first half of the twentiet
15#
發(fā)表于 2025-3-24 04:12:31 | 只看該作者
16#
發(fā)表于 2025-3-24 07:19:32 | 只看該作者
,A Discipline of Sentiments: Masculinity in Ernest Hemingway’s ,, style is a way of articulating difference while remaining beyond the logic of normativity. This seems like an unlikely epigraph to a chapter on Ernest Hemingway’s masculinity, which appears at first glance to be anything but the style of someone “with almost no place to go.” Yet, it will be my cont
17#
發(fā)表于 2025-3-24 10:58:45 | 只看該作者
,Specters of Masculinity: Collectivity in John Steinbeck’s ,,promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches—nor is it a game for the cloistered elect, the tin-horn mendicants of low-calorie despair.”. Critical of the solitary author and the inaccessible work, Steinbeck envisions a literature that is neither
18#
發(fā)表于 2025-3-24 15:37:50 | 只看該作者
Conclusion,with all of the dirty words removed, Jack Schaefer’s . tells a familiar story.. Similar to other postwar Westerns such as . or . dramatizes a central tenet of Cold War culture, that the selective use of force is needed to secure domestic stability. What makes . stand out among the many 1950s Western
19#
發(fā)表于 2025-3-24 19:41:35 | 只看該作者
undamental and simulation levels. This book provides a comprehensive summary of these changes describing fluid flow in micro and nano configurations. Where as in their previous book entitled Microflows: Fundamentals and Simulation the authors covered scales from one hundred nanometers to microns (an
20#
發(fā)表于 2025-3-25 00:08:33 | 只看該作者
Daniel Wordenundamental and simulation levels. This book provides a comprehensive summary of these changes describing fluid flow in micro and nano configurations. Where as in their previous book entitled Microflows: Fundamentals and Simulation the authors covered scales from one hundred nanometers to microns (an
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