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Titlebook: Mary Wollstonecraft and the Accent of the Feminine; Ashley Tauchert Book 2002 Ashley Tauchert 2002 bibliography.body.corpus.French.French

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11#
發(fā)表于 2025-3-23 11:49:52 | 只看該作者
Matrilineal Writing: , and ,e or easy to state’, and ‘the syntax and the meaning remain to be found’. (Irigaray, 1995, p. 135) Irigaray’s hints at the ‘other syntax’, nonetheless, offer a starting point for considering Wollstonecraft’s mature works, and Walker’s notion of ‘writing with the mother’ offers the alternative ground
12#
發(fā)表于 2025-3-23 14:32:25 | 只看該作者
13#
發(fā)表于 2025-3-23 20:17:20 | 只看該作者
Mary Wollstonecraft and the Accent of the Feminine
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發(fā)表于 2025-3-24 01:44:58 | 只看該作者
Mary Wollstonecraft and the Accent of the Feminine978-0-230-28735-8
15#
發(fā)表于 2025-3-24 04:22:13 | 只看該作者
16#
發(fā)表于 2025-3-24 07:48:41 | 只看該作者
Love between Women — Wollstonecraft’s Early Writingsves signification: ‘repudiation of the maternal body is the condition of signification within the Symbolic’. Signification through language, according to this position, is founded on a ‘primary repression’ of desire for the maternal body. The subject’s ‘loss’ of the maternal body establishes ‘the em
17#
發(fā)表于 2025-3-24 12:00:18 | 只看該作者
18#
發(fā)表于 2025-3-24 17:11:49 | 只看該作者
The Pregnant Writer: ,e performance of [women’s] functions’ places ‘[t]he search for abstract and speculative truths, for principles and axioms in science, for all that tends to wide generalisation […] beyond [their] grasp.’ (Rousseau, 1992, pp. 324, 349) Her next publication, ., is Wollstonecraft’s reply in writing. The
19#
發(fā)表于 2025-3-24 20:02:21 | 只看該作者
Matrilineal Writing: , and ,y) is caught between incoherence/silence and imitation (of masculinist forms). And it is an imitation at great cost, for as a direct condition of it, women are ‘exiled from themselves, and lacking any possible continuity/contiguity with their first desires/ pleasures, they are imported into another
20#
發(fā)表于 2025-3-25 01:14:33 | 只看該作者
Conclusion: Female Embodiment and Writing beyond Wollstonecraftmbodiment and written style. It is necessarily un-fixed, and recognisable in its un-fixedness, because female-embodiment is characteristically (one might say essentially) un-fixed in its rhythmic transformations (into and through cycles of ovulation and menstruation, in the unfathomable corporeal mo
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