Titlebook: Marking Maternity in Middle English Romance; Mothers, Identity, a Angela Florschuetz Book 2014 Palgrave Macmillan, a division of Nature Ame

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Ondines-curse

,“That Moder Ever Hym Fed”: Nursing and Other Anthropophagies in ,,at threat to rest), the late fourteenth-century romance . interrogates an even more intimate nexus of boundaries and categories in its treatment of maternal and infant bodies both . and until the separation that takes place during the weaning of a young child.. . focuses upon a literal demon child,

Palatial

,“Youre Owene Thyng”: The , and Fantasies of Autonomous Male Reproduction,elf-reproducing without the interference of maternal influence. In his revision of the popular medieval narrative of Patient Griselda, Chaucer examines the construction of autonomous male genealogy and suggests that it leads to a pair of contradictory, yet mutually reinforcing ways of imagining wome

Adulterate

,“A Mooder He Hath, but Fader Hath He Noon”: Maternal Transmission and Fatherless Sons: The ,,r own right. The disposition of France’s throne hung in the balance. In 1316, Philip of Poitiers, the brother of the reigning king Louis X and future Philip V of France set out to disinherit his infant niece, Jeanne, of the French throne, setting the stage for eventual conflict with England.. From 9

拘留

,Forgetting Eleanor: , and England’s Maternal Aporia,uggests that recognition of maternal influence threatens larger structures of political identity as well. Like many late medieval Middle English romances, the family of romances concerning Richard I of England initially appears to present its audience with the familiar spectacle of a series of dynas

訓誡

Monstrous Maternity and the Mother-Mark: Melusine as Genealogical Phantom, masculine communal or national identity, the Middle English . suggests the catastrophic potential for these same mechanisms to destabilize lineal structures and the communities that are defined through and benefit from these structures.. Like . consistently draws attention to pervasive inconsistenc

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,Women’s Secrets and Men’s Interests: Rituals of Childbirth and Northern ,,tion and misrepresentation of the empress’ lying-in room. Octavian’s entrance into his wife’s lying-in room breaks the codes through which births, particularly aristocratic births, were culturally constructed and represented in late medieval culture. Aristocratic births were configured within a matr