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Titlebook: Marine Animal Forests; The Ecology of Benth Sergio Rossi,Lorenzo Bramanti,Covadonga Orejas Living reference work 2020Latest edition

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發(fā)表于 2025-3-21 16:46:58 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Marine Animal Forests
副標(biāo)題The Ecology of Benth
編輯Sergio Rossi,Lorenzo Bramanti,Covadonga Orejas
視頻videohttp://file.papertrans.cn/624/623911/623911.mp4
圖書(shū)封面Titlebook: Marine Animal Forests; The Ecology of Benth Sergio Rossi,Lorenzo Bramanti,Covadonga Orejas Living reference work 2020Latest edition
描述During the last decades there has been an increasing evidence of drastic changes in marine ecosystems due to human-induced impacts, especially on?benthic ecosystems. The so called “.animal forests.” are currently showing a dramatic loss of biomass and biodiversity all over the world. These communities are dominated by sessile suspension feeder organisms (such as sponges, corals, gorgonians, bivalves, etc.) that generate three-dimensional structures, similar to the trees in the terrestrial forest. The?.animal forest.?provide several ecosystem services?such as food, protection and nursery to the associated fauna, playing an important role in the local hydrodynamic and biogeochemical cycles near the sea floor and acting also as?carbon sinks. The present book focus its attention on these three dimensional animal structures including, for the first time, all the different types of animal forests of the world in a single volume..During the last decades there has been an increasing evidence of drastic changes in marine ecosystems due to human-induced impacts, especially on?benthic ecosystems. The so called “.animal forests.” are currently showing a dramatic loss of biomass and biodiversit
出版日期Living reference work 2020Latest edition
doihttps://doi.org/10.1007/978-3-319-17001-5
isbn_ebook978-3-319-17001-5
The information of publication is updating

書(shū)目名稱(chēng)Marine Animal Forests影響因子(影響力)




書(shū)目名稱(chēng)Marine Animal Forests影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Marine Animal Forests網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Marine Animal Forests網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Marine Animal Forests被引頻次




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書(shū)目名稱(chēng)Marine Animal Forests讀者反饋




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ly on?benthic ecosystems. The so called “.animal forests.” are currently showing a dramatic loss of biomass and biodiversity all over the world. These communities are dominated by sessile suspension feeder organisms (such as sponges, corals, gorgonians, bivalves, etc.) that generate three-dimensiona
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Animal Forests in Deep Coastal Bottoms and Continental Shelf of the Mediterranean Sea, fishing activities, especially bottom trawling on soft bottoms and passive gears on hard grounds, concentrate between 50 and 200 m depth. This chapter reviews the recent advances in the study of the spatial and bathymetric distribution patterns of these animal forests, their species composition, ecology, and conservation status.
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Sergio Rossi,Lorenzo Bramanti,Andrea Gori,Covadonga Orejaste punk rock performance artist G.G. Allin, jailed cartoonist Mike Diana and fanzine writer Full Force Frank. Despite (or perhaps because of) advertising cautioning, ‘WARNING!!! DO NOT ATTEND IF YOU HAVE A WEAK STOMACH!’, the program attracted a sizable crowd. The material was strong enough to provo
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Héctor Reyes-Bonilla,Eric Jordán-Dahlgrenr should be, clear differences between poetry and painting,. but for the moment there is a tendency rather to deconstruct the dissimilarities of various arts and media. W. J. T. Mitchell is perhaps the most influential contemporary critic of attempts to find clear boundaries between arts and media.
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Günter F?rsterra,Verena H?ussermann,Jürgen Laudienr should be, clear differences between poetry and painting,. but for the moment there is a tendency rather to deconstruct the dissimilarities of various arts and media. W. J. T. Mitchell is perhaps the most influential contemporary critic of attempts to find clear boundaries between arts and media.
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Sam Kahng,Joshua M. Copus,Daniel Wagnerten been described in terms of the . ideal — is not a result of an additive process (a unity of moving pictures, language, sound and so on), but consists of a very unstable set of interrelationships that has undergone many changes in its configuration throughout its technical and stylistic history.
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