Titlebook: Marcel Duchamp’s Fountain; One Hundred Years La Robert Kilroy Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Duchamp.Founta

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The Editor(s) (if applicable) and The Author(s) 2018

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https://doi.org/10.1007/978-3-319-69158-9Duchamp; Fountain; conceptual art; anti-art; Modern art; ?i?ek; Slavoj Zizek; Lacanian theory; Psychoanalysi

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The Artistent” is thus the gap or distortion in the artist’s statement that draws attention to its broader formal conditions. Aware that the logic of the creative act cannot be stopped, Duchamp attempted to expose these conditions by rendering the art coefficient explicit in his own statements of which . is the purest form.

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The Spectatormp terms “transmutation.” Ultimately, the artist’s statement is understood on the basis of aesthetic priorities so that the art coefficient, the gap indicating the true nature of his activity, is erased. Duchamp attempts to make this operation visible by provoking his “friend” and critic Guillaume Apollinaire into offering a verdict on ..

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