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Titlebook: Marcel Duchamp’s Fountain; One Hundred Years La Robert Kilroy Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Duchamp.Founta

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發(fā)表于 2025-3-21 19:41:30 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Marcel Duchamp’s Fountain
副標(biāo)題One Hundred Years La
編輯Robert Kilroy
視頻videohttp://file.papertrans.cn/624/623845/623845.mp4
圖書封面Titlebook: Marcel Duchamp’s Fountain; One Hundred Years La Robert Kilroy Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Duchamp.Founta
描述This book marks the centenary of Marcel Duchamp’s. Fountain .by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj ?i?ek. In weaving an alternative narrative, Kilroy shows us that not only has .Fountain. been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue .Fountain.’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.
出版日期Book 2018
關(guān)鍵詞Duchamp; Fountain; conceptual art; anti-art; Modern art; ?i?ek; Slavoj Zizek; Lacanian theory; Psychoanalysi
版次1
doihttps://doi.org/10.1007/978-3-319-69158-9
isbn_ebook978-3-319-69158-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-21 20:46:21 | 只看該作者
Art History and Psychoanalysis Todayquiry: an interrogation of Duchamp’s oeuvre on the basis of Lacanian psychoanalysis and an exploration of the precise influence of Courbet on Duchamp. To pursue this aim, the author builds on the work of two Duchampian scholars who have rigorously engaged with Lacan’s conceptual apparatus: Rosalind
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The Artistcreate “art” is, in fundamental human terms, a struggle to realize his identity as “artist,” to be recognized as a genius. This subjective process takes place at the basic level of language as an effort to declaratively mark one’s position in the aesthetic field. What Duchamp terms the “art coeffici
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發(fā)表于 2025-3-22 18:07:33 | 只看該作者
The Onlookertion of the exhibition space in aestheticizing the object. The operation of display, Duchamp argues, produces what he terms a phenomenon of “transubstantiation”: a piece of inert matter is magically transformed into a work of art on the basis of a fundamental illusion. It is argued that, with ., Duc
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Posterity the creative act, this spectator overlooks the artificial nature of the tasty affairs and presents the movement or “ism” as an objective, naturally occurring phenomenon. In doing so, he consolidates the validity of the “immediate spectator’s” initial verdict. To demonstrate this point, Duchamp dire
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