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Titlebook: Malory‘s Morte D‘Arthur; Remaking Arthurian T Catherine Batt Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 community

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發(fā)表于 2025-3-21 18:54:15 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Malory‘s Morte D‘Arthur
副標(biāo)題Remaking Arthurian T
編輯Catherine Batt
視頻videohttp://file.papertrans.cn/623/622001/622001.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Malory‘s Morte D‘Arthur; Remaking Arthurian T Catherine Batt Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 community
描述This study innovatively explores how Malory‘s Morte D‘Arthur responds to available literary vernacular Arthurian traditions which the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Launcelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order.
出版日期Book 2002
關(guān)鍵詞community; gender; Institution; Nation; nationalism; violence
版次1
doihttps://doi.org/10.1007/978-1-137-11183-8
isbn_softcover978-1-349-62788-2
isbn_ebook978-1-137-11183-8Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2002
The information of publication is updating

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發(fā)表于 2025-3-21 21:56:59 | 只看該作者
,Desire, History, Violence: Merlin’s Narratives, culturally diverse character, brings their parameters into question, in an ostensibly ordered but locally unsettling text. In the ., the urge to order and historicize has to acknowledge the possibility that moral judgment, the legitimization of violence, and historical recuperation are contingent.
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Setting Limits: Textual Parameters and Sites of Resistance in , underline narrative climaxes, but accord the same status to a fall from a horse at a tournament (the fate of Palomides, Dynadan, and Gareth at fol. 330v), as to the fatal consequence of Tristram’s first great victory, over Marhalt (fol. 154v). Notes draw attention to the Princess of France’s love-g
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Narrative Form and Heroic Expectation: ,, and ,iter’s ability to establish and maintain the parameters of a self-contained fictional world. Violence works on the residual knowledge of reader and writer alike to point up the subjectivity and variability of our response to the Arthurian narrative as a whole. So the rhetorical constructions of viol
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Setting Limits: Textual Parameters and Sites of Resistance in ,ion of who slew whom. Scattered associations and events play at the edges of this manuscript, and suggest random expressions of cultural and generic detritus as potential ordering and categorizing processes.
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