Titlebook: Malcolm Lowry Eighty Years On; Sue Vice Book 1989 Palgrave Macmillan, a division of Macmillan Publishers Limited 1989 Britain.history of l

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seduce

Why Does Nobody Write Like This Any More?,h the very event which this collection of essays celebrates. On the eightieth anniversary of Lowry’s birth, his major work is 40-odd years old and, like artefacts of that age, may be hard to value. It has neither the gloss of newness nor the patina of age. Indeed, I am going to suggest that the text

Terminal

Doubling and Modernism in , anywhere from the gathering storm in Europe. Yet Mexico had been the only Western nation to support Republican Spain during its fight against Franco and will follow the United States into the war after Pearl Harbor. The novel’s ‘remoteness’ thus resonates with ever-powerful propinquity, and its use

Gum-Disease

Introduction,‘A more convincing candidate for this title [of ‘man of the decade’], however, in terms of both merit and representative quality, is Malcolm Lowry’; Walter Allen’s on .: ‘the finest and profoundest work of fiction written by an Englishman during the decade … a great tragic novel’; and Martin Seymour

intrude

atrophy

Doubling and Modernism in , our century. Critical references to allegory, symbolism and the exotic, however, often mar this vital insight. The novel has a very specific location in a town 50 miles south of Mexico City, and a very specific dating, The Day of the Dead at the beginning of November in 1939, and a year earlier in

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Rankle

Expanding Circles: Inductive Composition in ,med, without serious qualification, to exhibit a highly sophisticated and innovative formal control. There is, however, a similar innovation operative in ., and this essay is primarily concerned with this element of textual tectonics. The design of each story conveys a sense of closure and this is a

平項(xiàng)山

Filming ,a. Why Hollywood?’ (pp. 39–40).. One answer might be that by the 1930s the influence of Hollywood movies was worldwide and a Spanish bar-owner could rely on the single word ‘Hollywood’ to carry a resonance of glamour, romance and sex — and as the ‘Motion Picture Research Council of America’ grimly w