Titlebook: Making Sense of Contemporary British Muslim Novels; Claire Chambers Book 20191st edition The Editor(s) (if applicable) and The Author(s) 2

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涂掉

Fiction of Olfaction: Nadeem Aslam’s , and Monica Ali’s lt subjects, such as violent racist abuse in northern England. In Ali’s . (2003), a campaign by the extremist group Bengal Tigers is bound up with smell diction, the greedy moneylender Mrs Islam is olfactorily othered, and part of protagonist Nazneen’s attraction for Karim stems from his refreshing lime smell.

細(xì)微差別

Sound and Fury: Tabish Khair’s , and Kamila Shamsie’s explores two 2017 novels, . and .. Their authors, Kamila Shamsie and Tabish Khair respectively, not only limn the sense of hearing with great acuity, but also train their ears to what marginalized Muslim subjects have to say about such urgent topics as belonging, difference, and citizenship.

ASTER

The Doors of Posthuman Sensory Perception in Mohsin Hamid’s s seem powerless, but they make use of technology in unexpected ways which appear to protect them, or at least hold at bay hostile larger forces. Migration creates a gulf between the haves and the have-nots. However, when even the powerless have powerful technologies in their hands, things start to change.

grenade

Book 20191st editionon studies of the five senses and ‘sensuous geographies’ of postcolonial Britain, and charts the development since 1988 of a fascinating and important body of fiction by Muslim-identified authors. It is a selective literary history, exploring case-study novelistic representations of and by Muslims i

無(wú)動(dòng)于衷

suous geographies’ of postcolonial Britain.Represents the seThis book is the sequel to .Britain Through Muslim Eyes. and examines contemporary novelistic representations of and by Muslims in Britain. It builds on studies of the five senses and ‘sensuous geographies’ of postcolonial Britain, and char

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FLIT

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‘I Wanted a Human Touch’: Hanif Kureishi’s tile experience of touching a book and turning its pages. Hanif Kureishi’s . (1995) revolves around an adulterous relationship between protagonist Shahid and his lecturer Deedee, and around an austere Muslim group Shahid joins which opposes extramarital touching. This chapter examines the extent to