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Titlebook: Making American Culture; A Social History, 19 Patricia Bradley Book 2009 Patricia Bradley 2009 cultural history.culture.film.Social and Cul

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發(fā)表于 2025-3-21 19:07:06 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Making American Culture
副標(biāo)題A Social History, 19
編輯Patricia Bradley
視頻videohttp://file.papertrans.cn/622/621614/621614.mp4
圖書封面Titlebook: Making American Culture; A Social History, 19 Patricia Bradley Book 2009 Patricia Bradley 2009 cultural history.culture.film.Social and Cul
描述This book offers a social and cultural history of American culture in the formative years of the twentieth century, examining forms such as vaudeville, early film, popular songs, modernist art, and many others in the context of contemporary social changes.
出版日期Book 2009
關(guān)鍵詞cultural history; culture; film; Social and Cultural History; social change; social history
版次1
doihttps://doi.org/10.1057/9780230100473
isbn_softcover978-0-230-10584-3
isbn_ebook978-0-230-10047-3
copyrightPatricia Bradley 2009
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:51:19 | 只看該作者
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The Politics of Culture,t, even for a little time, and he learns that it is a necessity as vital to him as sugar in his food. We actors make something that is needful in this war as overcoats or shovels. And at last our opportunity has come to serve … to fight side by side with out soldiers, to enter actively the service of America’s Army in France.”
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發(fā)表于 2025-3-22 16:56:14 | 只看該作者
Censorship, Class, and Culture,scape and found much to worry them. The worry was most attached to perceptions of women, their protection, their proprietary, and their roles, and few cultural products in the period could avoid the impact.
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發(fā)表于 2025-3-22 18:17:01 | 只看該作者
Epilogue,sake of a piece or two of music that suited you, to have to sit for hours listening to what you did not care for!”. By the year 2000, the choices indeed were many but not from a spectrum that Progressives had in mind.
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發(fā)表于 2025-3-22 22:12:13 | 只看該作者
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發(fā)表于 2025-3-23 01:56:29 | 只看該作者
Vaudeville,lle enterprise. At the conclusion of the initial performance under his oversight, the young Ziegfeld came on stage and promised a donation to the favorite charity of anyone who would feel Sandow’s muscles. Two society matrons, Mrs. George Pullman and Mrs. Potter Palmer, volunteered. Running her hand
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