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Titlebook: Lucius Burckhardt Writings. Rethinking Man-made Environments; Politics, Landscape Jesko Fezer,Martin Schmitz Book 2012Latest edition Sprin

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發(fā)表于 2025-3-21 17:17:30 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Lucius Burckhardt Writings. Rethinking Man-made Environments
副標(biāo)題Politics, Landscape
編輯Jesko Fezer,Martin Schmitz
視頻videohttp://file.papertrans.cn/589/588948/588948.mp4
概述Collection of the most important essays by Burckhardt, first time in English.Interdisciplinary Analysis of man-made environments.How we change the world and how the changing world shapes us in turn.In
圖書(shū)封面Titlebook: Lucius Burckhardt Writings. Rethinking Man-made Environments; Politics, Landscape  Jesko Fezer,Martin Schmitz Book 2012Latest edition Sprin
描述Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology Lucius Burckhardt (1925–2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware of how our interventions and decisions shape the world, and how the changing world in turn, shapes us, his life-long focus was not only the prerequisites of architecture, urban planning and design but also their long-term impact. Teaching and practice still owe much to his work. Thus, the first selection of Lucius Burckhardt’s texts to appear in English, introduces his groundbreaking theory of environmental design, in retrospective tribute to a prescient thinker.
出版日期Book 2012Latest edition
關(guān)鍵詞Landscape; Manmade environment; Promenading; Strollology; Urbanism
版次1
doihttps://doi.org/10.1007/978-3-7091-1257-1
copyrightSpringer-Verlag Wien 2012
The information of publication is updating

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On the Value and Meaning of Urban Utopias (1968), limit set—in both the negative and positive sense. One cannot want everything at once: certain objectives exclude others. The more determined one is to attain one objective, the more difficult it becomes to satisfy other criteria. Any design process is insofar a process of reduction, of paring down a program to its requisite objectives.
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Urban Design and Its Significance for Residents (1975),, that “the whole is greater than the sum of its parts,” is fruitful; yet it fails to convey that to make a whole of various parts is not a natural process but a social act, an act which reflects history, culture, hegemony and education.
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,Gardening—An Art and A Necessity (1977), artist is unaware he is making art: in allowing a plant to prosper here, pruning one there, and tearing up that one by the roots in order to plant it elsewhere, or to trash it, he is not merely composting but composing too: composing a threedimensional image, his garden.
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