Titlebook: Love, Mortality and the Moving Image; Emma Wilson Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 knowledge.

HABIT

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GLOSS

disrupt

Book 2012In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study closely explores emotions and sensations surrounding mortality and longing, with new readings of works by Agnès Varda, Pedro Almodóvar, Ingmar Bergman, Sophie Calle, and many others.

narcissism

sulcus

BUST

Introduction,ites: ‘I cried for a month. I didn’t realise until later how far the work on the book had taken me through the grieving process. It’s the closest thing to who I am that I’ve ever done’.. Her book includes pictures of Sontag in the various hospitals where she was treated, both during her illness in 1

angina-pectoris

Love, Festival.. She shows images of the large-scale prints slowly unwrapped, the portraits appearing at first ghostly behind protective air bubbles. Dressed in black, in the chapel, Varda comments on the actors in the photographs. As she holds up a plate of flower petals, rosebuds and double- flowered b

Collected

gusher

Child,er loss through the iconography of childhood and through the emotions that attach to domestic imaging of children. The filmmaker’s mother, Liseli Marazzi Hoepli, committed suicide in 1972, following a lengthy period of mental illness. At the time Alina, her daughter, was seven years of age. The film

相符

Coma,ks at the implications of the ‘new and extreme figure’. of . (overcoma or depassed coma) defined in 1959 by Pierre Mollaret and Maurice Goulon. In summoning this figure, and in so doing moving towards modern definitions of brain stem death, Mollaret and Goulon supplemented the medical categories of