Titlebook: Love and the Novel; Contemporary Romanti George Paizis Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 fictio

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大量

Book 1998 its ability to reflect and articulate the reader‘s aspirations for a better life and stands at the same time as a testament to her alienation. This fresh look at the romantic fiction seeks to discover the reason for its appeal by combining analysis of the poetics of the genre with a study of the re

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皺痕

Obstacles,bly be contained in the happy end, whose vehicle of representation is the ‘life’ or actions of the heroine or hero. This is how the reader is won to the code.. Therefore an examination of the obstacles encountered by the heroine in the course of the narrative, must lead to an understanding of the meaning of the text as a whole.

Acetaminophen

The Romantic Novel and its Critics,ution and each step forward in technological innovations in the manufacture of paper and ink meant cheaper books. Popular literature showed itself adaptable to mass production in its length and format, in its precise pricing, in style and in content; it spread by imitation and it required a vast and unself conscious audience.

ENDOW

信徒

冷淡周邊

The Market, the Company, the Book and its Readers,uter and the satellite. With this has come a concentration of ownership and the creation of vast, integrated empires based on information, fiction, images and ideas. Yet, the process of integration is greater at the level of ownership rather than of content. Content has been resistant to this trend:

泥沼

The Romantic Novel and its Critics,the cities and of the population, improved literacy and means of communication created the mass market from which writers could make a living. Distribution and each step forward in technological innovations in the manufacture of paper and ink meant cheaper books. Popular literature showed itself ada

SENT

The Cover, Time and Place,part of series, are recognisable products among other similar products, and as such they must both advertise themselves in their similarity and in their difference to the others of the kind. The cover contains the first elements of a contract, an offer - of what the book is - and an acceptance - the