Titlebook: Love and Its Objects; What Can We Care For Christian Maurer,Tony Milligan,Kamila Pacovská Book 2014 Palgrave Macmillan, a division of Macmi

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Michael Kühlerother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be

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Tomá? Hejdukother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be

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?ren Kierkegaard, Martin Heidegger, and Jean-Paul Sartre.. If finding one’s way around in anxiety proves to be so terribly difficult, in fear, at least one has a clearer sense of what’s going on. There’s an object there—a something—some sort of determinate, existential threat at hand. Taking the obj