Titlebook: Lost Plays in Shakespeare‘s England; David McInnis,Matthew Steggle Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limite

exterminate

書目名稱Lost Plays in Shakespeare‘s England影響因子(影響力)




書目名稱Lost Plays in Shakespeare‘s England影響因子(影響力)學科排名




書目名稱Lost Plays in Shakespeare‘s England網絡公開度




書目名稱Lost Plays in Shakespeare‘s England網絡公開度學科排名




書目名稱Lost Plays in Shakespeare‘s England被引頻次




書目名稱Lost Plays in Shakespeare‘s England被引頻次學科排名




書目名稱Lost Plays in Shakespeare‘s England年度引用




書目名稱Lost Plays in Shakespeare‘s England年度引用學科排名




書目名稱Lost Plays in Shakespeare‘s England讀者反饋




書目名稱Lost Plays in Shakespeare‘s England讀者反饋學科排名

Serenity

Lost, or Rather Surviving as a Very Short Documenterested in early modern theatre must accept that to get the most out of the material they do have, they will frequently be working with plays which are, and remain, lost. How do we theorize this problem?

懶惰民族

Lumpers and Splittersre series. Splitters moved decisively into the field in the 1980s, giving us two texts of . in the Oxford Shakespeare (1982), while the latest Arden . appeared as three texts in two distinct volumes (2006). The splitting of . could further continue by including plays for which we no longer have the

泥沼

conception

Folklore

Reimagining Gillian: , and the Lost “Friar Fox and Gillian of Brentford.”. Gillian was an infamous, possibly fictional but probably real, woman from the London suburb of Brentford.. She makes her first literary appearance as a lewd innkeeper in a poem first published in 1563, yet by the 1590s she is transformed into a witch or, more appropriately, a cunning woman. In t

browbeat

有說服力

不利

歹徒

enfants ont presque tous montré beaucoup de difficulté à réaliser les consignes. Dans le test des balancements rythmiques, le contr?le directionnel moyen s’améliore dans toutes les directions..La Balance Master? System offre une évaluation facile et objective du contr?le postural chez l’enfant. Nos