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Titlebook: Lone Heroes and the Myth of the American West in Comic Books, 1945-1962; David Huxley Book 2018 The Editor(s) (if applicable) and The Auth

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樓主: 雜技演員
11#
發(fā)表于 2025-3-23 13:20:32 | 只看該作者
David Huxleyachliche Kompetenz des Autorenteams.Nachschlagewerk für den .Die B?nde der Maschinen- und Konstruktionselemente von Steinhilper/R?per haben sich als Standard-Lehrbücher an Technischen Hochschulen durchgesetzt. Unter dem Titel Steinhilper/Sauer: Konstruktionselemente des Maschinenbaus wurde das Werk
12#
發(fā)表于 2025-3-23 16:05:25 | 只看該作者
13#
發(fā)表于 2025-3-23 20:03:02 | 只看該作者
The Editor(s) (if applicable) and The Author(s) 2018
14#
發(fā)表于 2025-3-24 01:44:22 | 只看該作者
Lone Heroes and the Myth of the American West in Comic Books, 1945-1962978-3-319-93085-5Series ISSN 2634-6370 Series E-ISSN 2634-6389
15#
發(fā)表于 2025-3-24 06:05:42 | 只看該作者
David HuxleyOne of the first books to offer extended academic analysis on Western comics, despite the vast number of Western comics.Raises issues of the nature of heroism and the role of violence in the construct
16#
發(fā)表于 2025-3-24 10:00:43 | 只看該作者
17#
發(fā)表于 2025-3-24 10:53:09 | 只看該作者
Introduction,existing theories about the hero and myth in Western films can be applied to comics. Many of these comics feature Native American characters, which gives rise to problematic issues about the naming of the “Indian”.
18#
發(fā)表于 2025-3-24 15:44:02 | 只看該作者
,Inventing and Selling “Buffalo Bill” in Comic Books, 1949–1957,erican Youthful magazines, . of Denis McLoughlin and Brantonne and Fronval’s French . of 1949. All of these center on Cody’s relationship with Native Americans, combining both the motif of the “duel” with different levels of racism in the portrayals of Cody’s enemies.
19#
發(fā)表于 2025-3-24 19:52:07 | 只看該作者
20#
發(fā)表于 2025-3-25 01:55:08 | 只看該作者
2634-6370 nature of heroism and the role of violence in the construct.This book examines the role of comics in the perpetuation of the myth of the American West. In particular, it looks at the ways in which lone central characters, and their acts of violence, are posited as heroic. In doing so, the book?rais
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