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Titlebook: Local Invisibility, Postcolonial Feminisms; Asian American Conte Laura Fantone Book 2018 The Editor(s) (if applicable) and The Author(s) 20

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發(fā)表于 2025-3-21 16:43:29 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Local Invisibility, Postcolonial Feminisms
副標(biāo)題Asian American Conte
編輯Laura Fantone
視頻videohttp://file.papertrans.cn/588/587671/587671.mp4
概述Provides insight into a rich yet understudied population in American art history.Explores the nuance of how Asian American identities have changed throughout the twentieth century to the present
叢書(shū)名稱Critical Studies in Gender, Sexuality, and Culture
圖書(shū)封面Titlebook: Local Invisibility, Postcolonial Feminisms; Asian American Conte Laura Fantone Book 2018 The Editor(s) (if applicable) and The Author(s) 20
描述This book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area. ?Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hung Liu are discussed in relation to the cultural politics of their time, and their art is examined in light of the question of what it means to be an Asian American artist. Laura Fantone’s exploration of this dynamic, understudied artistic community begets a sensitive and timely reflection on the state of Asian American women in the USA and in Californian cultural institutions.
出版日期Book 2018
關(guān)鍵詞America; American culture; anthropology; arts; Asia; cultural anthropology; culture; feminism; fine arts; gen
版次1
doihttps://doi.org/10.1057/978-1-137-50670-2
isbn_softcover978-1-349-70102-5
isbn_ebook978-1-137-50670-2Series ISSN 2945-7491 Series E-ISSN 2945-7505
issn_series 2945-7491
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:51:21 | 只看該作者
Asian American Art for the People,awing from an original interview, the author explores the way in which the 1960s politics, and the Asian American movement specifically, shaped Hom’s identification with Asian Americanness as an emerging political formation and radicalized community. New insights about the San Francisco scene, espec
板凳
發(fā)表于 2025-3-22 03:32:52 | 只看該作者
Traces and Visions of In-Betweenness,sses the work of Theresa Hak-Kyung Cha and Trinh T. Minh-ha in their resonating trajectories. The author embraces a feminist, postcolonial perspective, arguing that the two artists offer a uniquely transnational sensibility: they do not?present themselves as simply Asian American. Their work poses q
地板
發(fā)表于 2025-3-22 06:00:10 | 只看該作者
AAWAA: Visibility, Pan-Asian Identity and the Limits of Community,the attention given to “minority” artists and their identity (especially those who do not fit clearly in the predominant conceptions of Asianness in California)..The chapter also develops an analysis of the Asian American Women’s Artists Association (AAWAA) founded in San Francisco in the 1980s. By
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發(fā)表于 2025-3-22 09:44:31 | 只看該作者
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發(fā)表于 2025-3-22 14:19:13 | 只看該作者
Opacities: Local Venues, Cosmopolitan Imaginaries,t based in Los Angeles, positions her work transnationally and embraces a postcolonial poetics, outside of strictly national frames, while maintaining a strong de-colonial political critique of othering, commodification and economic effects of globalization. The author examines Dizon’s work offering
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發(fā)表于 2025-3-22 19:49:19 | 只看該作者
Conclusions,y East Asian art, especially Chinese male artists. The conclusion critiques the high-art cosmopolitan discourse, predicated upon the celebration of California’s multiple cultures and identities, as clashing with the rejection of the Asian female artist. Such a figure is too often reduced to a distan
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發(fā)表于 2025-3-22 23:20:11 | 只看該作者
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發(fā)表于 2025-3-23 01:57:47 | 只看該作者
Laura FantoneProvides insight into a rich yet understudied population in American art history.Explores the nuance of how Asian American identities have changed throughout the twentieth century to the present
10#
發(fā)表于 2025-3-23 08:27:23 | 只看該作者
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